Niccolo Machiavelli s The Qualities Of The Prince And Lao...

Government: A Profound Leader Since the being of time, humans have sought out law, or government. Governments have been set in place all throughout the world to try to maintain peace and order. As easy as it sounds, governments can be demolished without the right leader. However, that is the catch, what makes a good leader? Niccolo Machiavelli’s â€Å"The Qualities of the Prince† and Lao-Tzu’s â€Å"Tao-te Ching† gives some ideas on how a leader should control their government. Although Machiavelli’s and Lao-Tzu’s ideas do not quite go hand and hand, there are some similarities. They both spoke similarly on how people should feel about their leader. Lao-Tzu views one of the best qualities of a leader is being loved by his people. On the other hand, Machiavelli believes the best is to be loved and feared, but sense he thinks that is impossible he had rather just be feared. Machiavelli and Lao-Tzu are more opposite than alike. According to Machiavelli, war should be a p rofession of a prince. He suggested a prince to think about war all the time and know the surroundings constantly. However, Lao-Tzu suggests a leader not to force war on anyone because the outcome will result in revenge and not to waste time preparing for war. Also, they had different views on what to do with their money. Machiavelli insisted on saving his income for preparation of war, whereas Lao-Tzu believed in sharing his money throughout the people. Although Machiavelli and Lao-Tzu would probably get inShow MoreRelatedOrganizational Behaviour Analysis28615 Words   |  115 PagesORGANISATIONAL ANALYSIS: Notes and essays for the workshop to be held on 15th - 16th Novemeber 2007 at The Marriot Hotel Slough Berkshire SL3 8PT Dr. Lesley Prince, C.Psychol., AFBPsS University of Birmingham November 2007  © Dr. Lesley Prince 2007. Organisational Analysis: Notes and Essays Page i Page ii Please do not attempt to eat these notes. CONTENTS Introduction to the Workshop Topics And Themes The Nature and Scope of Organisation Theory Levels of Analysis The Metaphorical

The Patriarchal Male Gaze - 1365 Words

While talking to my Indian friends about our summer project, â€Å"Adolescents’ Health Awareness Program†, I listened to their stories about harassment and eve teasing while travelling alone. I had also come across some of the situations where I feel uncomfortable and hate my body. When I walk down the streets of the city, a person’s stare and taunts, make me feel as if I have done a crime by being born as a girl. The constant gazes are not so unusual now. Gaze, as the Longman dictionary defines is â€Å"a long steady look†, but I would say it is much more than that long look. It is a constant look with admiration for something. It simply turns a subject to an object where male values the body of a female to fulfill their desires. The term ‘male gaze’ was first brought up by Laura Mulvey and has come from film theory and is basically used to describe the idea of putting the audience into the perspective of a heterosexual man. With the development of the media, we see films, â€Å"a major form of visual popular culture† (â€Å"The Patriarchal Gaze†), portraying women as sexually objectified bodies. Laura Mulvey in her article, â€Å"Visual Pleasure and Narrative Cinema†, says that male gaze is an erotic look of power and of objectification. The view of the camera, and thus of the male protagonist, is that of the intended male ‘gaze’ (Mulvey). With the male gaze, female bodies present ed in the movies are sexualized and their body is objectified. Females are shown offering up their femininity for theShow MoreRelatedWomen Are Controlled And Guided By Patriarchal Male Gaze2331 Words   |  10 Pagesasserts that women are characterized as â€Å"others† or as â€Å"not male† . This distinction would not be possible if women were not recognizable by sight as not male. Due to this, it is relevant to look at film and its associations with visual representations of the woman and the male gaze. As John Berger recognises â€Å"men act, women appear†¦men look at women†¦women themselves being looked at† . This succinctly defines that the position of women in patriarchal culture depends on look and elucidates that women existRead MoreEssay on Patriarchal Structure of An Active Male Gaze 1678 Words   |  7 PagesIn the early 1990s Laura Mulvey’s thesis concerning the patriarchal structure of an active male gaze has influenced feminist f ilm critiques and Hollywood. Mulvey’s project is to use psychoanalysis to uncover the power of patriarchy in Hollywood cinema. Patriarchal influence upon cinema is found primarily in pleasure (pleasure in looking) or as Freud’s has put it, scopophilia. Mulvey suggests that it may be possible to create a new for of cinema due to the fact that patriarchy power to control cinematicRead MoreRelationship Between Masculinity And Femininity1177 Words   |  5 Pagesbetween masculinity and femininity. I will be focusing primarily on how the feministic features are different from today’s patriarchal films. The features include: a strong female main character, her reversed gender role, the female gaze, the film’s female screen writers, unusual narrative, genre, and the ideological meanings from this film. Female characters in today’s patriarchal films are placed in stereotypical roles. Females are usually â€Å"overtly feminine, have weak character, lack confidenceRead MoreFeminist Criticism Of Bridesmaids1618 Words   |  7 Pagesidentify how Bridesmaids transcends traditional feminine desire it is important to mention the ways the film still fits to the nature of patriarchal norms and the present hegemony (Buckley 14). This feminist criticism of the film must be made because it reveals an underlying paradox to ideologies of women in cinema. As Laura Mulvey explains, â€Å"cinematic codes create a gaze, a world, and an object, thereby producing an illusion cut to the measure of desire. It is these cinematic codes and their relationshipRead MoreTheory of the Male Gaze1400 Words   |  6 Pagestheory of the male gaze is still prominent. The phallocentric narrative is still an underlining feature within the main body of the film. The castrated female is represented as a char acter in dire need for the influence of the male, be it in a voyeuristic or scopophilic presence. Contemporary animations such as Disney’s The Little Mermaid, Mulan and Frozen all encounter Mulvey’s notions of the male gaze and show the female as passive within the narrative, whilst in today’s patriarchal society theyRead MoreThe s Confident Didacticism?1415 Words   |  6 Pagesin the form of popularity and power over one s peers. Female power in teen makeover films also manifests itself through the ability to gain the attention of the opposite sex, but it simultaneously absolves the male gaze and constructions of gender fantasy that are enforced by the patriarchal socio-culture of any blame for the behaviour. Instead, as Laura Mulvey suggests, the woman in films is an object that is meant to be consumed by the viewer, while the man is always assumed to be the â€Å"bearer ofRead MoreHollywood Film Analysis1305 Words   |  6 Pagestwentieth century. As a r esult of the traditional patriarchal society of the era it was the men who owned the studios, the men who wrote the scripts, the men who worked behind the scenes, and the men who held the leading roles that dominated the industry. In this paper, I will discuss in brief my experience in viewing the short film by Tracy Moffatt (2003). Second, examine the feminist theories of Mulvey (1975) that provide a psychoanalysis of the ‘male gaze’ and how these views of sex and gender wereRead MoreVisual Pleasure And Narrative Cinema980 Words   |  4 Pagespleasure of looking as the active dominant male, and the pleasure in being looked at as the passive female. I plan to analyze Mulvey’s ideas of patriarchy in film, specifically the â€Å"male gaze† and how these ideas are portrayed through the film of Eyes Wide Shut. The male protagonist in film is often caught by the viewer, in the pleasuring act of looking at females. Through film, Mulvey argues that the male is seen as the dominant figure, imposing a â€Å"male gaze† on his female victim. This phenomenonRead MoreGender Representation Of Sex And The City1590 Words   |  7 Pagesargument for major ethical implications in regard to public stigma and subsequent prejudice. This essay shall critically consider gender representation in Sex and the City (HBO, 1998-2004) and the extent to which these characters challenge the patriarchal privilege. Studies regarding gender roles in media show that the feminine essence tends to be depicted as inferior, with women often being marginalized, disempowered and humiliated through a status that is based on their youth and looks; whilstRead MoreKubrick And Lynch On The Patriarchy1581 Words   |  7 Pagestraditionalism in society. Arguably one of the most consistent links between Stanley Kubrick and David Lynch is their portrayal of women in film. Stanley Kubrick does not choose to emphasize the struggles of being a woman in a patriarchal society. Instead, he shows women through the patriarchal gaze. In A Clockwork Orange, women are literally objectified, as plastic statues of naked women are used as coffee tables in the Korova Milk Bar. This introduces the viewers to the protagonist, Alex, who serves as the perpetrator

Amazon Swot Analysis free essay sample

Unparalleled quantity and quality of user reviews attract potential customer, and provides rich information on merchandise popularities as well as user preferences. A mature and sophisticated logistics and operation systems minimize the storage and shipping costs. By looking into amazon’s value chain, the following activities are identified as value-creating: In primary activities, the marketing is the most value-creating activities; also the operations and logistics are value-adding. In support activities, the technology development is undoubtedly the most value-adding. In addition, a proper firm structure is also value-adding. Therefore, Amazon’s core competitive advantages lies in two aspects: Low prices: secured by its relatively low costs because its operational model saves significantly on human resources and logistics costs; Unique customer experience: originated from its website and database design and the knowledge of customer preference. SWOT analysis Strength: Long established customer loyalty. Well-developed software helps improving customer experience. Knowledge of customers and merchandise from historical purchase information and feedback. We will write a custom essay sample on Amazon Swot Analysis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Sophisticated logistics system reduce the cost. Weakness: Online shopping lacks sensible experience of the product. Ordering online incurs unavoidable delivery delay. Company is unfamiliar with its non-traditional territories. Opportunities: Commodities are more and more diversified. Customers need more information before purchase. Information technology based on web applications are evolving and maturing. Computer hardware prices are ever dropping. Threats: Traditional retailers are establishing online presences. Manufacturers are selling online directly to consumers. Specialized retailers are more experienced and cost-effective. Social network websites incorporate retailing services. Later movers who imitate the business model at zero cost.

Mrs Alving in Ghosts by Ibsen free essay sample

Through excessive parallelism and constant reference to â€Å"ghosts,† Norwegian playwright Henrik Ibsen portrays a view on the rewards of duty that clashes sharply with the accepted views of the time. In his native country of Norway, and indeed all around the world in the year 1881, ‘duty’ was seen as a powerful motivator in both religion and society. The abstract concept of duty was what constrained society into ‘acceptable’ boundaries, and people without a sense of duty were often shunned and rejected by their fellow citizens. Henrik Ibsen was well-known for his somewhat controversial plays. Just before writing Ghosts, â€Å"Ghosts† he wrote A Doll’s House about a young woman seeking to escape the bonds of duty. While the classic feminist story in A Doll’s House has a hint of hope for Nora Helmer, who decides to speak up for her own rights as a woman and as a human being, Ghosts seems to me to be the gloomy alternative, as Mrs Alving overcomes years of subordination to her immoral (and now deceased) husband. We will write a custom essay sample on Mrs Alving in Ghosts by Ibsen or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The woman, Nora, desires to free herself intellectually by breaking out of a marriage. Ghosts, in many ways, is an extension of â€Å"A Doll’s House†, with the main character Mrs. Alving acting as a future Nora. They are similar in some ways, but obviously they are both uniquely diverse. They play many of the same roles in their plays, and are probably the most similar two characters between Ghosts and A Dolls House. As literary critic Edward Boyer puts it, â€Å"In many ways Mrs. Alving is an older and more mature Nora, freer yet at the same time more bound. She too wanted to break out of a marriage once, but was sent back to her ‘duties’ by Pastor Manders, who thereby awakened the first doubts in her mind about transmitted doctrine. Ibsen focused his pieces on commenting on the often hypocritical sense of duty that people of his time supported. In his own words, â€Å"Ghosts had to be written; I could not let â€Å"the doll’s house† be my last word; after Nora, Mrs. Alving had to come. † Duty prompted her to create a life of lies, as she hid her husband’s alcoholism and other immoral acts. Duty prompted her to hide her husband’s pregnant mistress, and again to raise his daughter as her own. Even the names Ibsen gives the two women show the difference of hope in the two plays. In A Doll’s House, Nora is given a first name, and in fact she is listed by her first name in the written script whenever she speaks. In Ghosts, Mrs. Alving is seldom called by her first name (it is Helen), and rather is referred to as Mrs. Alving in the script when she has a line to say. She is regarded only as a wife, even ten years after her husband’s death. Ibsen utilizes many parallels between situations and characters in order to portray the desired results of duty and the actual results. Mrs. Alving can be compared to Mr. Engstrand, a hobbling old carpenter, and supposed father of Regina. Mrs. Alving is, obliged by her sense of duty, trying to gain control of her son Oswald upon his return home, while Engstrand attempts to evoke his daughter’s sense of duty so that she will come to work for him. According to George Meyer, â€Å"This parallel is†¦important because in the one case a father is trying to gain control of his daughter; in the other a mother, of her son. † Both characters also experienced a ‘commercial marriage’ in that Mrs. Alving married Captain Alving â€Å"for the sum of his fortune,† and Engstrand married his wife Johanna for a hefty bribe. Nora is a unique character, a kind not usually seen in most plays. She swings her mood often; she is either very happy or very depressed, comfortable or desperate, wise or naive. At the beginning of the play, Nora still plays a child in many ways, listening at doors and eating forbidden sweets behind her husbands back. She has gone straight from her fathers house to her husbands, bringing along her nursemaid which tells us that she hasnt really grown up. She also doesnt have much of an own opinion. She has always accepted her fathers and her husbands opinions. Shes aware that Torvald would have no use for a wife who was equal to him. But like many children, Nora knows how to manipulate Torvald by pouting or by performing for him. In the end, it is the truth about her marriage that awakens Nora. Although she may suspect that Torvald is a weak, petty man, she believes that he is strong, that hell protect her from the consequences of her actions. Then, at the moment of truth, he abandons her completely. She is shocked into reality and sees how fake their relationship has been. She realizes that her father and her husband have seen her as a doll, a toy to be played with, a figure without opinion or will of her own. She also realizes that she is treating her children the same way. Her whole life has been based on illusion rather than reality. Although she tried to escape from her marriage, the young Mrs. Alving apparently did not have a sudden moment of realization of her duties to herself, her own honor, or her own pride. If she did, we are not told hem; she continued to live as her husband and as society expected her to. By the end of Ghosts, however, when the effects of her husband’s life of duplicity are clear, the older and wiser Mrs. Alving has obviously come to regret her silence. Boyer states, â€Å"She sees now that it was the limiting conditions, the lack of true joy, a goal in life, and meaningful work which destroyed the best in her husband. She sees too that she h erself was the immediate cause of his ruin, because she had made life intolerable for him with her conventional morality of duty. Mrs. Alving can’t be blamed for staying in her marriage though. In A Doll’s House, Nora Helmer had a place to escape to. Her friend Mrs Linde would eagerly provide a place to stay and her best friend Doctor Rank had invited her company, and expressed his love for her. The conclusion drawn up by the end is this: the embracing and enforcing of a corrupt sense of duty and false pride by the collection of characters has led to the successful projects-chaos and dismay. This symbolizes Ibsen’s conception of duty and double standard for men and women in the society. He believes that mankind has ‘taken it too far,’ and duty has degenerated love into a purchasable commodity as illustrated by not only the brothel but by Mrs. Alving’s and Engstrand’s commercial marriages. The free-thinking duty-free artists of Paris live happy lives in wholesome homes, while the duty-supporting end up in broken homes where hypocrisy and immorality run rampant.